The people that brought the film Sen to Chihiro no kamikakushi (2001) (a.k.a. "Spirited Away") to the US explain how it was converted into English, with some minor confusion between languages, and how well it did in both Japan and America.
View this Japanese television special to get an insider's peek into Studio Ghibli during the creation of Spirted Away.
The sharks take bite out of the East Coast when the sharknado hits Washington, D.C. and Orlando, Florida.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
When a television network refuses to broadcast Rasko's television show, Rasko decides that it should be sold over the internet in order to expose the truth about the death of his brother, and face the consequences.
Two estranged siblings go to their late scientist father's farmhouse to make sense of his incomplete work. They soon discover an evil entity, buried in time and space for millions of years, has been released and begun wreaking havoc.
An adult man is recalling his childhood years in North Russia during WWII.
PROGRESS debuts in BOURNEMOUTH, with Chapter 85: Progro.Naut
The rock pocket mouse is a living example of Darwin's process of natural selection. Evolution is happening right now everywhere around us, and adaptive changes can occur in a population with remarkable speed. This is essential if you're a mouse living in an environment where a volcanic eruption can reverse selective pressure in nearly an instant. The film features Dr. Michael Nachman, whose work on pocket mice reveals a complete story, from ecosystem to molecules, that demonstrates how random changes in the genome can take many paths to the same adaptation-a colored coat that hides them from predators.
What's it like to audition for a part in a major motion picture!? Now consider that your part involves total nudity! What's it like for the producer who is in charge of the casting session? Starlet Screen Test II features twelve beautiful models who will answer these questions and raise a few more... All captured by hidden camera!
The story of America’s first female president, Beverly Nicholson, and her wife, the first lady, Kasey. When Beverly and Kasey move into the White House, they’ll prove that behind every great woman… is another great woman.
La Sposa del Nilo (1911) was a proto-epic, where you could sense the Italian filmmakers (Enrico Guazzoni in this case) gearing up to the gigantic imaginings of Cabiria and Quo Vadis just a few years on. The film wanted to impress you with its stateliness and scale; at time the central action (a young virgin is drowned to appease Isis and ensure that the Nile floods) became lost in the crowded frame – but that just reminded you that early cinema audiences look that much more intently at what was going on, and picked up on details that our lazier eyes sometimes miss.
Two friends enter into an agreement they intend to keep secret, but their lives start to implode, as the breadth of the decision unravels before them.
An astronaut lands on an unknown planet. Everything is foreign.
Two young urchins turn the streets of Buenos Aires into their own magical playground, in this vibrant portrait of young love.
While on vacation in Brazil, Scooby-Doo and the gang encounter a mythical beast at a game of soccer.
In the final film of the series, Chip and his "father" attend a robotics convention. Here, Dr. Carson is kidnapped and replaced by an android. Can Chip and his newfound friends save Dr. Carson from a dangerous competitor?
This film is a limited portrait of Stan Brakhage. The subject attempts to describe the experience that he is involved in by means of immediately responding to the aural and visual stimuli which surround and affect him. Brakhage involves the viewer in the subjective experience of the space in which he is seated, the camera, lights and technicians which created the experiential process. He further extends the parameters of the film's scope through the interjection of real or possibly apparent silence. -S.G., from The Film-makers' Coop
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