Director Eva Sørhaug (Cold Lunch) reveals the rage and violence lurking beneath seemingly tranquil domesticity in her bold and uncompromising sophomore feature.
Thamara, Paru, Kajal and Suganya are four friends who are rather tired of their uneventful routine. However, things take a turn for the better with the arrival of the spirited and outgoing Rita, a young woman who encourages them to live their lives to the fullest.
After a mid-air collision, an uncontrollable passenger plane with 90 souls on board speeds through the skies over Germany. The impact point for the inevitable plane crash is easily calculated: the center of Berlin. Now the race is on to prevent the catastrophe. Will the plane have to be shot down by fighter pilots?
When a young journalist suspects the disappearance of a beautiful artist is connected to murders that took place 20 years earlier, she uncovers a reality she never could have imagined. Inspired by true events.
Regis Sauder returns to his childhood pavilion at Forbach. Thirty years ago, he fled this city to build against violence and in the shame of his environment. Between demons of extremism and social determinism, how do those who have remained? Together, they weave individual and collective memories to question the future at a time when fear seems stronger than ever.
Dr. Satish travels from the big city to a small village, where he can serve the poor who cannot afford to go to the city for medical treatment. Once in the village, he meets with Shanti, who lives with her dad, Radhekiran, a watchman. Both Shanti and Satish fall in love, and exchange vows to be married. Radhekiran has an accident, and dies, leaving Shanti to re-locate, without notifying Satish. Satish is devastated at losing Shanti, and tries to locate her, to no avail. His parents want him to marry Kamini, and he agrees to do so. It is then he comes across Shanti, and he is shocked to see that Shanti has given birth to baby-boy, but will not disclose who the father is.
Hayseed Egghead arrives in the big city of Bagdad and quickly wins a magic lamp in a carnival coin-operated crane game. The shady character who was playing the game before him covets the lamp, and tries to steal it. Egghead sees a poster: The sultan is having a contest for his daughter's hand in marriage. With his lamp, Egghead thinks he's a sure bet; he conjures up a magic carpet, and he's off. After a couple bad vaudeville acts, it's Egghead's turn, but in the meantime, the bad guy swapped the lamp for a coffeepot. Egghead is thrown out, then sees the bad guy using the lamp; Egghead breaks in, steals the lamp and the girl, and flies off. But she uses the lamp herself to conjure up a real hunk to replace the nerdy Egghead.
Fatma is kidnapped several times by a wild man because she cannot be persuaded to marry. A third attempt at forced submission ends tragically for both, due to the young girl's fatal rebellion.
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
The ups and downs in the lives of immigrants from post-war Europe, arriving in Brazil in search of a better future.
In the year 2035, survivors of a now almost completely evacuated post-apocalyptic Britain compete for a government bounty to retrieve a mysterious bio weapon known only as Unit Eleven.
A short film about a group of friends whom summon the ghost of a deceased woman mourning his child.
“The structure of human vision is the visual knowledge of the world. Individuals do not visually understand the world through the eyes, but through the brain. That is to say, human vision has been formed by knowledge and experience. The film can show a new vision, provided that the cinema is also a kind of visual experience and visual knowledge.” - Yo Ota
Totò, the mythical comedian of Italian stage and screen, was the illegitimate child of a noble man in one of Naples's poorest neighborhoods. As a child, he enlisted in the army simply to eat three square meals a day. Later, his dizzying success in show business brought him riches he had never dreamed of, plus stories of love and jealousy, the most important being with 16 year old Diana who eventually became his wife, only to leave him and inspire the Italian classic torch song Malafemmina, meaning bad woman.
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