An average gay guy discovers a magic website that can change him into the fantasy man he desires, but there is a price to pay.
After so many years together, Joe faces life without Jana. Saying goodbye to yourself is never easy.
The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?
An experimental documentary depicting the abandoned Aerojet Rocket Testing Facility, a relic of the Cuban Missile Crisis. Aerojet explores how America exploits the land beneath it, contrasted with the hell on earth this environmental neglect may leave in its wake.
Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Tells the story of Almar, a young Norwegian sailor whose gold watch, of great sentimental value, has been broken. While waiting for repairs in a remote Spanish town, he meets a number of unusual characters: Windy, an Australian seafarer with unusual experiences, real or imaginary; Marta, a beautiful Spanish girl; Martha's bizarre grandfather; and two old watchmakers who are painfully methodical. It seems to Almar that real time has also stopped when his watch did.
At the end of a dying world, two scavengers are running out of options. When they find a way out, one doesn't hesitate to take what she can. But when faced with her victim, she has to decide if her survival is what’s most important.
Laura lives in fear in a small town. Her ex partner, Hernán, was violent with her and now he's about to return to town. Laura must find a solution to never cross paths with him again.
The Stratton kids, Samantha and Chip, and their grandmother, Ada, drive to visit their Uncle Stuart. Grandma collapses and dies in a strange town, leaving the kids and Lassie on their own.
Mild-mannered and modest Sook-young looks like your usual middle-aged woman, but happens to be a man-killing murderess. On a train trip to Mokpo, she remembers an earlier trip as a prisoner on furlough accompanied by a menacing but kind butch female guard. On the train they meet Hoon, a young man who falls for Sook-young. The guard lets them be alone at a bizarre marriage in a hill-top graveyard.
The second part, "Remnants" follows the families of many of the workers in an old state-run housing block, "Rainbow Row." In particular, Wang focuses on the teenage children who concern themselves with their own lives but must also cope with their inevitable displacement as Tie Xi's factories continue to close down. In Chinese, this section is called 艳粉街 (Yànfěn Jiē), meaning "Yanfen Street."
STATE OF FEAR takes place in Peru, yet serves as a cautionary tale for a world engaged in a "global war on terror." It dramatizes the human and societal costs a democracy faces when it embarks on a "war" against terror, a "war" potentially without end, all too easily exploited by unscrupulous leaders seeking personal political gain.
In the Summer of 1971 the Glastonbury legend was born when the organisers decided to try and create a festival that would be a forerunner for an 'alternative and utopian society'. The festival encompassed Midsummer's Day, and in true medieval tradition, the area of Worthy Farm, Pilton was given over to music, dance, poetry, theatre, spontaneous entertainment and nudity.
Raw, wild and hilariously funny, Bert Kreischer stars in "Comfortably Dumb," his debut comedy concert that follows his scene stealing appearances on Comedy Central and FX. He is one of today's hottest, most inventive comedians, something that a few years ago would have been deemed virtually impossible. Especially to Bert. It wasn't long ago when Rolling Stone Magazine named him "the number one party animal in the nation!" when this dedicated underachiever made a career out of attending Florida State University, a seven year adventure that became the basis for National Lampoon's hit movie, "Van Wilder." Now Bert has finally grown up. Sort of. And the result is a sold-out event destined to become a classic. This is your chance to party with the original party animal.
Activate your FREE Account!
You must create an account to continue watching