Based on an Estonian folk tale about of the gigantic hero, Tõll, who lived on the island of Saaremaa (Oesel) in the Baltic Sea. Though he was king of the island, Tõll often worked as a common farmer, tending to his crops and returning to his loving wife. He was a good king, often quick to anger but always kind and willing to help his fellow man. Tõll's greatest enemy is the god of the underworld who specializes in sly, cowardly mischief. When war comes to the island, Tõll arrives to aid his dying army, but the devil takes advantage of his absence to wreak havoc on Tõll's home.
The main morality is the chronic desire for rest Within the historians, filmmakers, astronomers and the bread Which once was dough front to back Relationship stops along the way You are not a wax-work in a glass Become the concept of freedom Freedom exists and must bring fruit The universe glancing for purchase reasoned
Thorny questions of love and sexuality take centre stage in this magical realist drama in which a genderless woodland being crashes into the lives of a jaded couple.
A relaxed summer day in a Spanish village. All generations gather around the local outdoor swimming pool and enjoy this well-deserved moment of idleness.
On their final trial as village Lookouts, a troop of young scouts are ambushed by the very creature they were hunting. After a violent battle the lone survivor, Pehn, escapes into the shadows of the Eyrewood, a mysterious and deadly forest that is home to all manner of wild creatures. The most horrifying of all is the Basilisk, a winged titan with the power to turn its prey into stone. This is the beast the troop of "Lookouts" were seeking, and now it hunts for Pehn. With guidance from the stories foretold by his Mother and words or warning passed down from his mentor, Pehn struggles to find the courage he'll need to confront his fate and defeat the horrifying creature that pursues him.
A college student awakens a long-dormant Egyptian mummy stolen from a museum, and then is pursued and seduced by the ghost of the Egyptian queen Cleopatra.
She was the first attempt in film to depict the story of H. Rider Haggard's 1886 novel She: A History of Adventure.
An epic, 20-minute, completely fabricated theatrical trailer for a crypto-Vestron Video cheapie (by way of Willow-era Ron Howard)—a supposedly 18-hour movie about a Jeff Daniels lookalike demon sent to destroy the planet (and possibly the universe) with his "Turbo-power!" Olds dragster. There are shades of John Carpenter's They Live, caffeinated Evil Dead speed-freakery, a cameo by Miles O'Keeffe, and uncanny movie preview clichés, such as sentence prepositions that never reach a resolution: "On an alien planet…the beauty and wisdom of a sorceress…." Sometimes the liner note blurbs speak for themselves: "Damon Packard is to Stephen Spielberg what George Kuchar is to Douglas Sirk."
A child finds a magic statue in a cave. This is a Thai idol that protects the world from an invasion by extraterrestrial giants. Edited from the Tsuburaya-Chaiyo co-production Jumborg Ace & Giant (1974), combining the special effects footage with newly shot drama scenes featuring a Taiwanese cast to create a loose adaptation of the original story that jettisons the connections to Tah Tien (1973) and Jumborg Ace (1973).
A college sophomore, on a visit to his friend's village, explores a dilapidated and haunted villa, falls unconscious and learns completely about his past life of love and sorrow.
One of the first movies made about the fairy tale Cinderella. The film is part of the current German expressionism. Because of that the film ends up being darker than the fairy tale itself.
A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.
The beginning of the 20th century. The recklessness of fanatics is pushing humanity towards the abyss. A revolution begins in Russia. Crazy Dr. Farkus induces an orgasm of inanimate matter. White Moroccan dwarfs are becoming active. A second Sun appears in the sky. In this difficult environment, captains selflessly confront the forces of chaos, maintaining the cosmic balance of history.
Abraham lives deep in the heart of an industrial wasteland. His only companion is a giant machine. Inside the machine is a man and a woman who take care of Abraham's every need. Abraham drifts through daily life until a tiny singing cowboy bursts from his stomach and leads him into the wild.
A family living with their grandpa find out that there's more than meets the eyes at their families' barn.
About friendship, betrayal and hidden resentments that have befallen the protagonists during their stay in the royal army. For instance, one employee, Ivan, was bestowed a very high reward for bravery. But not everyone had it to their liking. Soon Petro, his sworn brother, took all the money from Ivan having contributed to Ivan’s falling into the precipice. Petro has now become rich, but this is only the beginning of his story. Based on Gogol's short story "Terrible Vengeance".
Felix, a thug, grows under the care of Marian Asan, who is the don of the place. Felix's life takes a turn when he falls in love with his childhood friend Salomi.
In the spring of 2010, a church lock in at First Baptist Church was organized by Pastor Chris. In the first hour of the lock in, one of the students, Justin, had an unusual “incident” and was “inconsolable.” It was reported that he calmed down and kept to himself for the remainder of the event. Two days after the lock in, Justin reportedly broke down to his parents that he experienced something “evil” at the lock in. He also claimed he captured everything on tape. After watching the footage, the parents met with church leaders to discuss criminal charges they were considering filing against the church for child endangerment, neglect and torture.
A colorful feature film that mixes exile with the figure of the poet Rimbaud and the feminist revolution. "It's super-intellectual. A fable-musical-philosophical-chanchada", Mautner says. He also affirms that the work focuses a lot on the longing for Brazil, on the will that the exiled had to return to their homeland. The idea came from conversations between the musician and his old father, "always talking about the pre-Socratics", he recalls. Glauber Rocha states that "The Demiurge" is the best film "of" and "about" exile.
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